The Hair Illustrator Frandy Li Palette offers ten expertly curated shades created for professional hair stylists Lisa Tomblin, Francesca Crowder, and Andrew Simonsin.
It includes Dark Brown and Light Brown from the Hair Illustrator Scalp Palette, Rotten Stone from the Grunge Palette, plus seven new shades: Black 2 Soft Black, Brown Soot, Flat Blond, Flat Light Grey, Pink Remover, and Flat Mixer.
Use these colours individually or blend them with other Skin Illustrator or Hair Illustrator tones to craft a personalized hair colour.
This product is designed for professional use.
Ethical Qualities
Cruelty free.
Vegan.
Important Considerations:
The Skin Illustrator colour system’s high pigment concentration and absence of unnecessary fillers mean that cracks, bubbles or shrinkage in dried colour cells may occur but this does not compromise the product’s quality or effectiveness in any way and is normal.
Because the formula is highly concentrated and has to be decanted into the cells using alcohol and then evaporated, this causes some shrinkage and means that the cell can never be full/filled to the top/edges. There is no way to set/solidify them in perfect unison so that they can be transported in solid palettes. Once the IPA/alcohol is in contact with the pigment it reactivates it and they work perfectly well without affecting the quality or performance.
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The Hair Illustrator Frandy Li Palette offers ten expertly curated shades created for professional hair stylists Lisa Tomblin, Francesca Crowder, and Andrew Simonsin.
It includes Dark Brown and Light Brown from the Hair Illustrator Scalp Palette, Rotten Stone from the Grunge Palette, plus seven new shades: Black 2 Soft Black, Brown Soot, Flat Blond, Flat Light Grey, Pink Remover, and Flat Mixer.
Use these colours individually or blend them with other Skin Illustrator or Hair Illustrator tones to craft a personalized hair colour.
This product is designed for professional use.
Ethical Qualities
Cruelty free.
Vegan.
Important Considerations:
The Skin Illustrator colour system’s high pigment concentration and absence of unnecessary fillers mean that cracks, bubbles or shrinkage in dried colour cells may occur but this does not compromise the product’s quality or effectiveness in any way and is normal.
Because the formula is highly concentrated and has to be decanted into the cells using alcohol and then evaporated, this causes some shrinkage and means that the cell can never be full/filled to the top/edges. There is no way to set/solidify them in perfect unison so that they can be transported in solid palettes. Once the IPA/alcohol is in contact with the pigment it reactivates it and they work perfectly well without affecting the quality or performance.
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